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W E L C O M E
Ume ga saku
An abstract forest landscape painting that's named after a Japanese saying that translates to 'the plums are blossoming'.
Plum trees blossom in late winter, often whilst snow is still on the ground, so it's said give strength to others to hang in there and see out their struggles to the good times ahead.
I used a fairly restricted palette with this one to evoke a wintry landscape. I love the warmth that emanates from the plumb trees amidst all that chill. Plus, it feels pleasingly subversive that the figure is dressed for summer. With his face hidden from us, our focus is repeatedly drawn to the blossom.
Plum trees blossom in late winter, often whilst snow is still on the ground, so it's said give strength to others to hang in there and see out their struggles to the good times ahead.
I used a fairly restricted palette with this one to evoke a wintry landscape. I love the warmth that emanates from the plumb trees amidst all that chill. Plus, it feels pleasingly subversive that the figure is dressed for summer. With his face hidden from us, our focus is repeatedly drawn to the blossom.
At The Ponds
The men’s bathing pond on Hampstead heath is a summer institution for London’s gay community. It’s a safe space to show off and soak up the sun, and you’ll always bump into someone you know.
This work is a tribute to the many happy days I’ve spent there. I wanted the colours, the pose and the looseness of the brush work to resonate with a lazy joy.
This work is a tribute to the many happy days I’ve spent there. I wanted the colours, the pose and the looseness of the brush work to resonate with a lazy joy.
Exquisite Thing
"Behind every exquisite thing that existed, there was something tragic"
- The Picture of Dorian Gray,
Oscar Wilde.
This book by Oscar Wilde mesmerised me when I was younger. It spoke to me on many levels, but what I particularly loved was how - in a strikingly modern way - it portrayed a nuanced and layered queer character.
Dorian wants what everyone else wants, he dreams and yearns like the rest of us.
With this painting I wanted to capture a scene that is both exquisite yet dubious. Is there a touch of melancholy behind his languidness?
- The Picture of Dorian Gray,
Oscar Wilde.
This book by Oscar Wilde mesmerised me when I was younger. It spoke to me on many levels, but what I particularly loved was how - in a strikingly modern way - it portrayed a nuanced and layered queer character.
Dorian wants what everyone else wants, he dreams and yearns like the rest of us.
With this painting I wanted to capture a scene that is both exquisite yet dubious. Is there a touch of melancholy behind his languidness?
People Say I'm Lazy
Time on your own. A precious moment connecting with nature in an urban landscape. We all need it.
An abstract figurative landscape painting inspired by a lyric from John Lennon's song 'Watching The Wheels', with this painting I wanted to explore the assumption that young men are layabouts and idle. To challenge that perceived delinquency.
As Lennon's song beautifully points out, it's ok just to be an observer and take it all in.
An abstract figurative landscape painting inspired by a lyric from John Lennon's song 'Watching The Wheels', with this painting I wanted to explore the assumption that young men are layabouts and idle. To challenge that perceived delinquency.
As Lennon's song beautifully points out, it's ok just to be an observer and take it all in.
Breathe It In
Part of my 'Socks' series.
The large physical scale of this work allowed me to fully explore the bracing joy of its subject. He takes a moment to appreciate why, where and who he is in that very moment. His undressed state emphasises his freedom, his head tilted back in satisfaction.
The poppy, acidic palette infuses the painting with a distinct modernity that I really like. And then there are the stripes, three ways. I'm fascinated how stripes can structure a space in a painting.
The large physical scale of this work allowed me to fully explore the bracing joy of its subject. He takes a moment to appreciate why, where and who he is in that very moment. His undressed state emphasises his freedom, his head tilted back in satisfaction.
The poppy, acidic palette infuses the painting with a distinct modernity that I really like. And then there are the stripes, three ways. I'm fascinated how stripes can structure a space in a painting.
Blond Socks
Part of my 'Socks' series.
This work was fun to paint. Originally part of a larger canvas, I decided to concentrate on this part of the scene so cut it out and re-framed it. This focusing process made the subject even more interesting to me - is he aware he's being observed? Is that coyness we see or peaceful languidness?
Much like 'Breathe It In', I used a fairly monochrome but striking colour palette and the wonderfully expressive structure of stripes.
This work was fun to paint. Originally part of a larger canvas, I decided to concentrate on this part of the scene so cut it out and re-framed it. This focusing process made the subject even more interesting to me - is he aware he's being observed? Is that coyness we see or peaceful languidness?
Much like 'Breathe It In', I used a fairly monochrome but striking colour palette and the wonderfully expressive structure of stripes.
Ume ga saku
An abstract forest landscape painting that's named after a Japanese saying that translates to 'the plums are blossoming'.
Plum trees blossom in late winter, often whilst snow is still on the ground, so it's said give strength to others to hang in there and see out their struggles to the good times ahead.
I used a fairly restricted palette with this one to evoke a wintry landscape. I love the warmth that emanates from the plumb trees amidst all that chill. Plus, it feels pleasingly subversive that the figure is dressed for summer. With his face hidden from us, our focus is repeatedly drawn to the blossom.
Plum trees blossom in late winter, often whilst snow is still on the ground, so it's said give strength to others to hang in there and see out their struggles to the good times ahead.
I used a fairly restricted palette with this one to evoke a wintry landscape. I love the warmth that emanates from the plumb trees amidst all that chill. Plus, it feels pleasingly subversive that the figure is dressed for summer. With his face hidden from us, our focus is repeatedly drawn to the blossom.
At The Ponds
The men’s bathing pond on Hampstead heath is a summer institution for London’s gay community. It’s a safe space to show off and soak up the sun, and you’ll always bump into someone you know.
This work is a tribute to the many happy days I’ve spent there. I wanted the colours, the pose and the looseness of the brush work to resonate with a lazy joy.
This work is a tribute to the many happy days I’ve spent there. I wanted the colours, the pose and the looseness of the brush work to resonate with a lazy joy.
Exquisite Thing
"Behind every exquisite thing that existed, there was something tragic"
- The Picture of Dorian Gray,
Oscar Wilde.
This book by Oscar Wilde mesmerised me when I was younger. It spoke to me on many levels, but what I particularly loved was how - in a strikingly modern way - it portrayed a nuanced and layered queer character.
Dorian wants what everyone else wants, he dreams and yearns like the rest of us.
With this painting I wanted to capture a scene that is both exquisite yet dubious. Is there a touch of melancholy behind his languidness?
- The Picture of Dorian Gray,
Oscar Wilde.
This book by Oscar Wilde mesmerised me when I was younger. It spoke to me on many levels, but what I particularly loved was how - in a strikingly modern way - it portrayed a nuanced and layered queer character.
Dorian wants what everyone else wants, he dreams and yearns like the rest of us.
With this painting I wanted to capture a scene that is both exquisite yet dubious. Is there a touch of melancholy behind his languidness?
People Say I'm Lazy
Time on your own. A precious moment connecting with nature in an urban landscape. We all need it.
An abstract figurative landscape painting inspired by a lyric from John Lennon's song 'Watching The Wheels', with this painting I wanted to explore the assumption that young men are layabouts and idle. To challenge that perceived delinquency.
As Lennon's song beautifully points out, it's ok just to be an observer and take it all in.
An abstract figurative landscape painting inspired by a lyric from John Lennon's song 'Watching The Wheels', with this painting I wanted to explore the assumption that young men are layabouts and idle. To challenge that perceived delinquency.
As Lennon's song beautifully points out, it's ok just to be an observer and take it all in.
Breathe It In
Part of my 'Socks' series.
The large physical scale of this work allowed me to fully explore the bracing joy of its subject. He takes a moment to appreciate why, where and who he is in that very moment. His undressed state emphasises his freedom, his head tilted back in satisfaction.
The poppy, acidic palette infuses the painting with a distinct modernity that I really like. And then there are the stripes, three ways. I'm fascinated how stripes can structure a space in a painting.
The large physical scale of this work allowed me to fully explore the bracing joy of its subject. He takes a moment to appreciate why, where and who he is in that very moment. His undressed state emphasises his freedom, his head tilted back in satisfaction.
The poppy, acidic palette infuses the painting with a distinct modernity that I really like. And then there are the stripes, three ways. I'm fascinated how stripes can structure a space in a painting.
Blond Socks
Part of my 'Socks' series.
This work was fun to paint. Originally part of a larger canvas, I decided to concentrate on this part of the scene so cut it out and re-framed it. This focusing process made the subject even more interesting to me - is he aware he's being observed? Is that coyness we see or peaceful languidness?
Much like 'Breathe It In', I used a fairly monochrome but striking colour palette and the wonderfully expressive structure of stripes.
This work was fun to paint. Originally part of a larger canvas, I decided to concentrate on this part of the scene so cut it out and re-framed it. This focusing process made the subject even more interesting to me - is he aware he's being observed? Is that coyness we see or peaceful languidness?
Much like 'Breathe It In', I used a fairly monochrome but striking colour palette and the wonderfully expressive structure of stripes.
Ume ga saku
An abstract forest landscape painting that's named after a Japanese saying that translates to 'the plums are blossoming'.
Plum trees blossom in late winter, often whilst snow is still on the ground, so it's said give strength to others to hang in there and see out their struggles to the good times ahead.
I used a fairly restricted palette with this one to evoke a wintry landscape. I love the warmth that emanates from the plumb trees amidst all that chill. Plus, it feels pleasingly subversive that the figure is dressed for summer. With his face hidden from us, our focus is repeatedly drawn to the blossom.
Plum trees blossom in late winter, often whilst snow is still on the ground, so it's said give strength to others to hang in there and see out their struggles to the good times ahead.
I used a fairly restricted palette with this one to evoke a wintry landscape. I love the warmth that emanates from the plumb trees amidst all that chill. Plus, it feels pleasingly subversive that the figure is dressed for summer. With his face hidden from us, our focus is repeatedly drawn to the blossom.
At The Ponds
The men’s bathing pond on Hampstead heath is a summer institution for London’s gay community. It’s a safe space to show off and soak up the sun, and you’ll always bump into someone you know.
This work is a tribute to the many happy days I’ve spent there. I wanted the colours, the pose and the looseness of the brush work to resonate with a lazy joy.
This work is a tribute to the many happy days I’ve spent there. I wanted the colours, the pose and the looseness of the brush work to resonate with a lazy joy.
Exquisite Thing
"Behind every exquisite thing that existed, there was something tragic"
- The Picture of Dorian Gray,
Oscar Wilde.
This book by Oscar Wilde mesmerised me when I was younger. It spoke to me on many levels, but what I particularly loved was how - in a strikingly modern way - it portrayed a nuanced and layered queer character.
Dorian wants what everyone else wants, he dreams and yearns like the rest of us.
With this painting I wanted to capture a scene that is both exquisite yet dubious. Is there a touch of melancholy behind his languidness?
- The Picture of Dorian Gray,
Oscar Wilde.
This book by Oscar Wilde mesmerised me when I was younger. It spoke to me on many levels, but what I particularly loved was how - in a strikingly modern way - it portrayed a nuanced and layered queer character.
Dorian wants what everyone else wants, he dreams and yearns like the rest of us.
With this painting I wanted to capture a scene that is both exquisite yet dubious. Is there a touch of melancholy behind his languidness?
People Say I'm Lazy
Time on your own. A precious moment connecting with nature in an urban landscape. We all need it.
An abstract figurative landscape painting inspired by a lyric from John Lennon's song 'Watching The Wheels', with this painting I wanted to explore the assumption that young men are layabouts and idle. To challenge that perceived delinquency.
As Lennon's song beautifully points out, it's ok just to be an observer and take it all in.
An abstract figurative landscape painting inspired by a lyric from John Lennon's song 'Watching The Wheels', with this painting I wanted to explore the assumption that young men are layabouts and idle. To challenge that perceived delinquency.
As Lennon's song beautifully points out, it's ok just to be an observer and take it all in.
Breathe It In
Part of my 'Socks' series.
The large physical scale of this work allowed me to fully explore the bracing joy of its subject. He takes a moment to appreciate why, where and who he is in that very moment. His undressed state emphasises his freedom, his head tilted back in satisfaction.
The poppy, acidic palette infuses the painting with a distinct modernity that I really like. And then there are the stripes, three ways. I'm fascinated how stripes can structure a space in a painting.
The large physical scale of this work allowed me to fully explore the bracing joy of its subject. He takes a moment to appreciate why, where and who he is in that very moment. His undressed state emphasises his freedom, his head tilted back in satisfaction.
The poppy, acidic palette infuses the painting with a distinct modernity that I really like. And then there are the stripes, three ways. I'm fascinated how stripes can structure a space in a painting.
Blond Socks
Part of my 'Socks' series.
This work was fun to paint. Originally part of a larger canvas, I decided to concentrate on this part of the scene so cut it out and re-framed it. This focusing process made the subject even more interesting to me - is he aware he's being observed? Is that coyness we see or peaceful languidness?
Much like 'Breathe It In', I used a fairly monochrome but striking colour palette and the wonderfully expressive structure of stripes.
This work was fun to paint. Originally part of a larger canvas, I decided to concentrate on this part of the scene so cut it out and re-framed it. This focusing process made the subject even more interesting to me - is he aware he's being observed? Is that coyness we see or peaceful languidness?
Much like 'Breathe It In', I used a fairly monochrome but striking colour palette and the wonderfully expressive structure of stripes.
This is the studio of painter Mark Jackson.
Explore the menu to learn more about my practice in the About section, peruse my available paintings in Works for Sale and find out how to Contact me.
I am currently collaborating with LCA Gallery who hold a number of my paintings. Should you wish to see any of them in person you can find the gallery at:
7 Denbigh Street, London SW1V 2HF
The nearest tube station is either Victoria or Pimlico
For sales enquires regarding LCA Gallery Exclusive pieces, please contact Ysabel on
0207 580 2118 or info@londoncontemporaryart.co.uk
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